Korda was a photographer for the Cuban newspaper Revolución when he produced on March 5, 1960 the iconic image of Che Guevara that became a worldwide symbol of revolution and rebellion. He never received any royalties for the image, because Castro did not recognize the Berne Convention for the Protection of Literary and Artistic Works. In 2000, he sued Smirnoff over the use of the image in advertisement. Commenting on the illicit use of his photograph, the artist said, “As a supporter of the ideals for which Che Guevara died, I am not averse to its reproduction by those who wish to propagate his memory and the cause of social justice throughout the world, but I am categorically against the exploitation of Che’s image for the promotion of products such as alcohol, or for any purpose that denigrates the reputation of Che”. His out-of-court settlement of US $50,000 was donated to the Cuban healthcare system. He said, “If Che were still alive, he would have done the same”. However, he told a BBC World Service reporter that he did approve of the 1999 Che Jesus adaptation of the image used by the Churches Advertising Network to promote church attendance in the UK. The truth is that Korda gave the picture for free to Giangiacomo Feltrinelli, an Italian publisher who had published Doctor Zhivago and went on to publish Castro’s diaries.
Moreover For Castro, Korda was more than an official photographer, a friend or personal photographer. They never discussed the salary or the title, their relationship wasn’t boss and worker. Thus, Korda was very relaxed, and interested in everything and everyone. Every photo he took was a symbol of the revolution, instead of a documentary of the events of the revolution.

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